It’s that time again! The monthly blogging circle topic. It’s a bit of #editnfriends and a lot of WriYe. Here are the questions:
Describe your editing process. What is your biggest challenge in editing?
I think I’ve mentioned this a few times on here in the past week, but in case I didn’t make it clear: I am overly critical and hate my words. I have low self-esteem when it comes to my own abilities as a writer. And I rely on friends to tell me that I’m being dumb.
Does that mean everything I write is horrendous and need to be burned? No. Wait… No. Right. No.
Have I found things that I like on rereading? If you asked me last year? It’d be no. But I actually reread a novella I wrote back in 2013 and loved it. Again with that long gap.
So what’s my process to avoid this sort of self-loathing? Here’s a bullet point list:
- Wait a long time. Try to cut that down to a year. Or two years. Stretch goal: just months.
- Reread as a reader. Not an editor. Not a writer. Just as if I was there to enjoy.
- Absorb what I read. Drink a few J&Gs. Write anything else.
- Go back and start to map out scenes and plot. Figure out what the hell my characters were thinking. Tell them to behave and act like real people. No, you cannot just run off and say “forget this.”
- Take out The Book and The Pen and write down an editing plan
- How does the plot need to change
- How do the characters need to change
- Basic plot arc with subplots noted on the bottom
- Short description of how each subplot adds to the main plot and how they get all tied up
- List of words to avoid during rewrite
- Reassurance that I can survive
- Get on the computer. And start again. Whether this is full rewrite, partial rewrite, or line edis.
With luck, The Final Rose will be the same way, even with the crazy word count.
Tell us about your ideal critique partner. What do you look for in a critique partner?
Well, I have a few good ones right now. We have a group that we’ve kept going for a number of years. We write different genres, different age levels, and for different audiences.
I think that helps when it comes to critiquing. We have a system where if it is genre-related or we think it might be, we mark it as [GR]. Other than that, writing is writing is writing. And sometimes it’s nice to have my romance-writing friend tell me that she likes scenes of my high fantasy story.
If I had to get a new one, though? I’d probably want someone else who is currently writing in high fantasy. And someone who is currently reading what’s coming out in the genre. I’m a bit far behind thanks to having a Little Monster, but I try to keep up on the trends.
I’d want someone who knew how to couch their harsher critique in the sandwich method (something good – a problem – something else good), as long as I had the bread to make sandwich, so to speak. And someone who would look at what I am asking for and give me that. Usually, I ask a few questions with my critique requests.
I’d want someone who wrote at a similar level to me, who sent me things that have already been self-edited to the best of their ability. I don’t expect perfection; I expect readability. And someone who has a goal with their novel post-me.
I’m always open for more partners, but I warn you: I am slow as a snail in a swimming pool of molasses.
Pen refills: 0
Scenes sliced: 2
Planned Scenes to Add: 5
Darlings killed: 0
Current Concern: Why did I make Ziove’s hand in marriage part of the prize? No.